https://ogma.newcastle.edu.au/vital/access/ /manager/Index ${session.getAttribute("locale")} 5 https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:24238 Wed 16 Nov 2016 14:36:49 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:24239 Wed 16 Nov 2016 14:36:46 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:29299 Wed 11 Apr 2018 16:31:56 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:29298 Famous Detective Stories, which allowed mid-twentieth century true crime writers to re-ignite debates around publishing and punishment found in the original reportage. Almost 130 years after the first of these crimes took place, this article contends offering a feminist framework to review these, and similar, cases demonstrate circulation figures and discussions around the ethics of punishment are not dependent upon the appropriation of the female body.]]> Wed 11 Apr 2018 15:29:47 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:23021 Wed 11 Apr 2018 13:38:18 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:29301 fiction and on crime fiction criticism. This base, of the creative and critical, can inform the production of a work that offers an aesthetic quality and an academically rigorous contribution to conversations around one of the world’s best-selling genres.]]> Wed 11 Apr 2018 13:09:11 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:43910 Wed 05 Oct 2022 08:54:55 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:35475 Tue 13 Aug 2019 12:27:20 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:50132 Tue 04 Jul 2023 12:31:33 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:24146 Thu 10 Nov 2016 16:02:49 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:30347 Sat 24 Mar 2018 07:40:26 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:29088 Sat 24 Mar 2018 07:39:59 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:28532 Why Crime Fiction Matters in Melbourne in 2014 Stephen Knight reflected on the trajectory of scholarship in the field, which has gradually moved away from the broad-brush-stroke surveys of the genre towards more theoretically sophisticated studies and, more generally, a higher level of academic engagement to mirror crime's location in the literary marketplace. The move, he concluded, has been away from connoisseurship towards scholarship. When Intellect commissioned us immediately that we should need to manoeuvre ourselves strategically in this light, to place ourselves at a point somewhere on this line with connoisseurship at one end and scholarship at the other.]]> Sat 24 Mar 2018 07:28:43 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:23020 Sat 24 Mar 2018 07:16:35 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:23023 Sat 24 Mar 2018 07:16:35 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:23111 Sat 24 Mar 2018 07:15:31 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:23118 Ellery Queen's Mystery Magazine, still published today, made its debut in 1941. In 1975, executive producers Richard Levinson and William Link brought the detective to television in a mystery series entitled Ellery Queen which challenged viewers to 'match wits with Ellery Queen'. Starring Jim Hutton in the lead role and David Wayne as his father, Inspector Richard Queen, the series survived only a single season. It was not until Levinson and Link, wanting to rework the concept, collaborated with Peter S. Fischer, one of the producers of the failed television series, that a media phenomenon was created in the form of Murder, She Wrote, one of the most successful ever Western television mystery series.]]> Sat 24 Mar 2018 07:15:31 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:23110 Twelve Angry Men presented at the Zenith Theatre, Sydney and the impact of a ‘standard rig’ on the process for realising the illumination of this production. The lighting designer’s experience will be used as a platform to evaluate the functions of a standard rig in contemporary community theatre practice. The paper briefly discusses, through a practice led research project, the intersection of the creative praxis of the lighting designer and the standards many venues impose upon the realisation of the illumination of any given production.]]> Sat 24 Mar 2018 07:15:29 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:37733 The Murder of Roger Ackroyd (1926) to look at ideas of the need (or not) to be faithful to an original text. The authors unpack some of the issues that surround the often controversial notion of the "canon" in detective fiction and present the telemovie as an example of the text's critical difference.]]> Mon 29 Mar 2021 15:29:59 AEDT ]]>